Psychotechniques of acting refers to the various techniques and approaches used byactors to access and effectively convey emotions in their performances. This article explores the concept ofpsychotechnics in acting, highlighting key aspects such as emotional recall, subtext, triggers, listening,improvisation, vulnerability, release techniques and more. These Psychotechniques allow actors to revealtheir emotional depth, create authentic characters and connect with audiences on a deep level. The articlehighlights the importance of emotional context, resilience, anchoring, adaptability and resilience in acting.
| Mualliflar | Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2024-11-14 |
| Son | 2 |
| Betlar | 47-52 |
| Til | Rus |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/m13jbq07 |
| Indeksga qo‘shilgan | 2026-10-09 |
DOI: 10.66900/m13jbq07 · Maqolaning asl sahifasi
psychotechnics, acting skills, emotional recall, emotional subtext, emotional triggers, emotional listening, emotional improvisation, emotional vulnerability, release techniques, emotional context, emotional endurance, emotional anchor, emotional adaptability, emotional stability, acting techniques., psixotexnika, aktyorlik sheberligi, emotiv subtekst, tıńlaw, emocionallıq improvizatsiya, sezimniń hálsizligi, kontekst, shıdamlılıq, beyimlesiwsheńlik, turaqlılıq, aktyorlıq texnikası., психотехника, актерское мастерство, эмоциональное вспоминание, эмоциональный подтекст, эмоциональные триггеры, эмоциональное слушание, эмоциональная импровизация, эмоциональная уязвимость, техники освобождения, эмоциональный контекст, эмоциональная выносливость, эмоциональная якорь, эмоциональная адаптивность, эмоциональная устойчивость, актерские приемы., психотехника, актёрлик маҳорати, ҳиссий субтекст, тинглаш, эмоцианаль импровизация, ҳиссий заифлик, контекст, чидамлилик, мослашувчанлик, барқорарлик, актёрлик техникаси.
| APA | Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова, & Лизахан , Уразмбетова (2024). ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ. Санъат ва маданият Ахборотномаси, (2), 47-52. https://doi.org/10.66900/m13jbq07 |
|---|---|
| GOST (OAK) | Лизахан , Уразмбетова va b. ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ // Санъат ва маданият Ахборотномаси. – 2024. – № 2. – С. 47-52. – DOI: 10.66900/m13jbq07. |
| MLA | Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова, and Лизахан , Уразмбетова. “ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ.” Санъат ва маданият Ахборотномаси, (2), 47-52, 2024. https://doi.org/10.66900/m13jbq07 |
| Chicago | Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова, and Лизахан , Уразмбетова. “ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ.” Санъат ва маданият Ахборотномаси, (2), 47-52 (2024). https://doi.org/10.66900/m13jbq07 |
| Harvard | Лизахан , Уразмбетова, Лизахан , Уразмбетова, Лизахан , Уразмбетова, and Лизахан , Уразмбетова (2024) ‘ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ’, Санъат ва маданият Ахборотномаси, (2), 47-52. https://doi.org/10.66900/m13jbq07 |
| BibTeX | @article{article2024,
title = {ПСИХОТЕХНИКА В АКТЕРСКОМ МАСТЕРСТВЕ},
author = {Лизахан , Уразмбетова and Лизахан , Уразмбетова and Лизахан , Уразмбетова and Лизахан , Уразмбетова},
journal = {Санъат ва маданият Ахборотномаси},
year = {2024},
number = {2},
pages = {47-52},
doi = {10.66900/m13jbq07},
url = {https://doi.org/10.66900/m13jbq07}
} |
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