This article provides a comprehensive analysis of the theoretical foundations of the acting system developed by K. S. Stanislavsky and its role in theatrical art. In particular, the essence of the five main principles of the system - stage truth, the principle of "if", the focus of attention, emotional memory and the method of physical movements, their role in the creative process and application in theatrical practice are covered from a scientific point of view. The influence of the system on world theatrical art and the formation of the Uzbek theatrical school is also discussed in detail.
| Mualliflar | Urazmbetova, Liza, Qazaqbaeva, Ramuza, Urazmbetova, Liza, Qazaqbaeva, Ramuza, Urazmbetova, Liza, Qazaqbaeva, Ramuza, Urazmbetova, Liza, Qazaqbaeva, Ramuza |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2025-12-01 |
| Son | 2025 |
| Betlar | 87-88 |
| Til | uz_Latn |
| DOI | 10.66900/yn04h142 |
DOI: 10.66900/yn04h142 · Maqolaning asl sahifasi
Stanislavsky,, system,, theater,, acting,, skills,, stage truth, «if only» principle, focus,, emotional memory, physical movements, Uzbek theater, Stanislavskiy,, sistema,, teatr,, aktyorlik mahorati, sahnaviy haqiqat, “magar” printsipi, diqqat markazi, emotsional xotira, jismoniy harakatlar, o‘zbek teatri, Станиславский,, система,, театр,, актерское мастерство, сценическая правда, принцип «если бы», фокус,, эмоциональная память, физические движения, узбекский театр, Stanislavskiy,, sistema,, teatr,, aktyorlik mahorati, sahnaviy haqiqat, “magar” printsipi, diqqat markazi, emotsional xotira, jismoniy harakatlar, o‘zbek teatri
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