This article examines the deepening of scenic images, dramatic conflict, andemotional states through the use of musical instruments in theatrical art. It analyzes the synthesis ofmusic and drama as a means of exerting a strong aesthetic impact on theater audiences. The articlealso examines theoretical and practical aspects related to the role of musical instruments in nationaltheatrical traditions, styles of live music in contemporary theater, as well as the creativemechanisms of acting and compositional collaboration.
| Mualliflar | Mukammalxon, Kurbanova, Mukammalxon, Kurbanova, Mukammalxon, Kurbanova, Mukammalxon, Kurbanova |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-03-02 |
| Son | 2026 |
| Betlar | 42-45 |
| Til | uz_Latn |
| DOI | 10.66900/qsz85r97 |
DOI: 10.66900/qsz85r97 · Maqolaning asl sahifasi
instrument, music, composer, theatre art, tradition, acting, stage, synthesis, dramaturgy, tragedy, saz ásbabı, muzika, kompozitor, teatr kórkem óneri, dástúr, aktyor sheberligi, saxna, sintez, dramaturgiya, tragediya, инструмент, музыка, композитор, театральное искусство, традиция, актёрское мастерство, сцена, синтез, драматургия, трагедия, cholg‘u, musiqa, kompozitor, teatr san’ati, an’ana, aktyor mahorati, sahna, sintez, dramaturgiya, tragediya
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