Sarmishsay rock paintings are invaluable monuments of animal husbandry, agriculture, religious ceremonies, ethnography, customs, and the history of social life. The paintings on the rocks serve to understand the content, ideas of the era, to imagine, and to come to a certain opinion and conclusion based on them. This article discusses the preservation of this historical site and other sites and their rational use.
| Mualliflar | Savriev , Jasur, Сaвриев , Жaсур, Сaвриев , Жaсур |
|---|---|
| Jurnal | Тамаддун нури |
| Nashr sanasi | 2025-06-30 |
| Jild | 6 |
| Son | 69 |
| Betlar | 187-191 |
| Til | O‘zbek |
| DOI | 10.69691/gc35ht45 |
DOI: 10.69691/gc35ht45 · Maqolaning asl sahifasi
Karmana, Hazora, Zoroastrian era, Maulana Arif Degaron mausoleum, Rabati Malik, Sardoba, Kasim Sheikh complex, Nurota, Hazrat Nur, Chashma, Ghazgon, Dehibaland, Khatirchi, Sheikh Gadoyselkin, Sarmishsoy, monuments., Кармана, Хазора, зороастрийская эпоха, мавзолей Мауланы Арифа Дегарона, Рабати Малик, Сардоба, комплекс Касым Шейха, Нурота, Хазрат Нур, Чашма, Газгон, Дехибаленд, Хатырчи, Шейх Гадойселкин, Сармишсой, памятники.
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