This article analyzes the work of Nazar Eshonqul, one of the outstanding representatives of contemporary Uzbek literature. It examines his artistic style, his place in national literature, as well as the philosophical and modernist motifs reflected in his works. The study explores the distinctive features of how national identity, historical memory, and artistic space are portrayed in the writer's works. Special attention is given to the postmodernist approach, mysticism, Sufi motifs, and the blurring of boundaries between reality and illusion in his creative output.
| Mualliflar | Ochilov , Ulugbek, Очилов , Улугбек, Ochilov, Ulug’bek |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-05-15 |
| Jild | 3 |
| Son | 3 |
| Betlar | 105-113 |
| Til | O‘zbek |
| DOI | 10.47689/2181-3701-vol3-iss3-pp105-113 |
DOI: 10.47689/2181-3701-vol3-iss3-pp105-113 · Maqolaning asl sahifasi
Назар Эшонкул, современная узбекская литература, художественное пространство, суфизм, постмодернизм, хронотоп, историческая память, модернизм, Nazar Eshonqul, contemporary Uzbek literature, artistic space, Sufism, postmodernism, chronotope, historical memory, modernism, Nazar Eshonqul, zamonaviy o‘zbek adabiyoti, badiiy makon, tasavvuf, postmodernizm, xronotop, tarixiy xotira, modernizm
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