THE IDEOLOGICAL DIRECTION AND MAIN ARTISTIC IMAGES OF DASTANS “KHUSRAV AND SHIRIN” AND “FARHOD AND SHIRIN”

Мухитдинова Бадиa Муслихиддиновна

Алишер Навоий · 2021-yil

Annotatsiya

This article is devoted to a comparative analysis of the image of Shirin in Nizami Ganjavi’s “Khusrav and Shirin” and Alisher Navoi’s “Farhod and Shirin”. The main ideological and artistic direction of the epics is highlighted, highlighting the importance of artistic symbols in the development of the work. The epics “Khusrav and Shirin” and “Farhod and Shirin” have been studied as one of the most amazing masterpieces of the art of speech, focusing on the interpretation of the world of unique artistic symbols.

Maqola ma’lumotlari
MualliflarМухитдинова Бадиa Муслихиддиновна
JurnalАлишер Навоий
Nashr sanasi2021-02-08
Jild1
Son1
TilIngliz

Kalit so‘zlar

эпос, литературные шедевры, художественное изображение, интерпретация, сравнительный анализ, мировоззренческое направление, общность, словесное искусство, нравственная ценность, мировоощущение, epic, literary masterpieces, artistic representation, interpretation, comparative analysis, ideological direction, commonality, word art, moral value, outlook

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