This article examines the essence and conceptual significance of the notion of the “dunyo” (world) within Sufi and moral-didactic thought on the basis of the works of Ahmad Yassavi, Sulaymon Baqirgani and Nasir al- Din Rabghuzi. It is demonstrated that in the writings of these authors, the image of the world is interpreted not merely as an object of moral criticism or superficial negation, but as a sphere of spiritual trial guiding the human soul toward self-purification and divine truth. A comparative analysis is conducted of the religious-ethical tone in Yassavi’s Hikmats (aphorisms), the folk-didactic orientation of Baqirgani’s works and the educationalphilosophical approach found in Rabghuzi’s narratives. On this basis, both shared conceptual foundations and distinctive stylistic features in the interpretation of the world are identified. The findings indicate that in medieval Turkic Sufi literature, the symbolic image of the world developed in close connection with artistic, philosophical, and aesthetic dimensions, reflecting the unity of moral and spiritual perception
| Mualliflar | Shoirakhon KHUJAEVA |
|---|---|
| Jurnal | Ўзбекистон: тил ва маданият |
| Nashr sanasi | 2025-09-12 |
| Jild | 3 |
| Son | 3 |
| Betlar | 83-94 |
| DOI | 10.52773/tsuull.uzlc.2025.3/ytws6290 |
DOI: 10.52773/tsuull.uzlc.2025.3/ytws6290 · Maqolaning asl sahifasi
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