The article examines the artistic and philosophical content of the story “Jajman“, which is especially recognizable in modern Uzbek prose. In this story of Khurshid Dostmuhammad, a special symbolic figurative image — through the actions of Jajman, social-

ЖУМАБОЕВ, Олимжон

Ислом тафаккури – Исламская мысль – Islamic thought – · 2026-yil

Annotatsiya

Мақолада замонавий ўзбек насрида тадқиқотчилар томонидан алоҳида эътироф этилган “Жажман” ҳикоясининг бадиий-фалсафий мазмуни тадқиқ этилган. Хуршид Дўстмуҳаммаднинг ушбу ҳикоясида алоҳида рамзий-мажозий образ — “жажман”нинг хатти-ҳаракатлари орқали ижтимоий-маиший ва глобал масалалар ҳам кўтарилган. Энг муҳими эса, нафс тушунчаси фақат бугунги кунгагина хос эмас, асар қаҳрамонлари жамиятдаги кишилар бўлса-да, аслида улар тарихдан олинган. Зардушт бобо, Ахурамазда, Ахриман каби тушунчалар қадимги “Авесто” китобида қайд этилган образлардир.

Maqolaning asl sahifasi

Kalit so‘zlar

Jajman, Khurshid Dostmuhammad, nafs, classical literature, symbol, metaphor, modern literature., Джаджман, Хуршид Дустмухаммад, нафс, классическая литература, символ, метафора, современная литература., Жажман, Хуршид Дўстмуҳаммад, нафс, мумтоз адабиёт, рамз, метафора, замонавий адабиёт.

Ilmiy soha

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