This article discusses analysis that Byron and Ajiniyaz both use imagery as a powerful tool to convey personal, cultural, and political ideas, yet their methods and intentions differ significantly. Ajiniyaz’s focus on collective identity and resilience, with his imagery rooted in the cultural and historical experiences of the Karakalpak people. Both poets, however, succeed in transforming imagery into a bridge between the emotional and the universal, making their works resonate across time and place.
| Mualliflar | Khadjieva, D.T., Erimbetova, E.K. |
|---|---|
| Jurnal | Ilim ha’m ja’miyet |
| Nashr sanasi | 2024-12-23 |
| Son | 6-1 |
| Betlar | 109-111 |
| Til | uz_Latn |
Bayron, Ajiniyoz, ifodali tasvirlash, hissiy-ramziy ifodalash, madaniy aks ettirish, ishq va ehtiros bilan ifodali tasvirlanishi, Байрон, Ажинияз, образность, эмоционально-символическая образность, образность культурной рефлексии, образность любви и страсти, Byron, Ajiniyaz, imagery, emotional and symbolic imagery, cultural reflection, imagery of love and passion
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