The image of “magi master” is repeatedly invoked in the ghazals of Hafez–e Shirazi. In almost all the ghazals where this image is used, it is constantly contrasted with the image of a “sheikh” or a corresponding religious representative. This contrasting use of these images, in turn, raises the question of why the poet might have held such admiration for a non-Muslim Zoroastrian priest. This article seeks to answer this question using Hafez-e Shirazi's own stanzas. The analyzed couplets will assisst in comprehending the poet’s deep appreciation of the magi master’s image.
| Mualliflar | Буматова Аидахон Мергановна |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2024-10-31 |
| Jild | 7 |
| Son | 3 |
| Til | O‘zbek |
Хафиз Ширози, предводитель магов, шейх, классическая газель, бейты, поэтический язык, образ, храм огня, Hafez-e Shirazi, magi master, sheikh, classical ghazal, couplets, poetic language, image, fire temple, Hofiz Sheroziy, piri mug‘on, shayx, mumtoz g‘azal, bayt, poetik til, obraz, otashgoh
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