The article studies the use of the parallelism method of one of the artistic means in the composition and plot content of the Karakalpak folk dastan “Koblan”. The place and role of parallelisms in enhancing the poetic artistry of the dastan has been scientifically proven. Examples are given from thematic-psychological, rhythmic-syntactic, lexical-morphological, intonational types of parallelisms, which are one of the stylistic figures, their role in ensuring the artistry of the dastan is noted. The frequent use of artistic repetitions, clarification of the depicted object and complementability in the dastan are proved. With the help of examples, the frequent use of repeating textual synonyms and the role of epiphoric, gradational, rhythmic and other types of parallelisms in ensuring artistry in creating images of artistic figures are proved. A scientific analysis is conducted of thematic and psychological parallelisms, revealing the behavior, character, internal state of the hero or characters in the composition of the dastan, as well as thematic and psychological parallelisms, created by the method of antithesis and with the opposite use of the words antonyms.
| Mualliflar | Палымбетов Камалбай Сарсенбаевич |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2021-11-03 |
| Jild | 3 |
| Son | 6 |
| Til | O‘zbek |
художественные средства, стилистические фигуры, композиция, образ, параллелизм, эпифора, градация, artistic means, stylistic figures, composition, image, parallelism, epiphora, gradation, бадиий тасвир воситалари, стилистик фигуралар, композиция, образ, параллелизм, эпифора, градация
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