This article conceptualizes art tourism as an emerging field at the intersection of culture, creative industries, and visitor experience. Based on content analysis of international/local scholarship (MacCannell, Bourdieu, Florida, Richards) and Uzbekistan’s policy framework (2024 Creative Economy Law), an integrative model is proposed linking: (1) theoretical–legal foundations; (2) practical formats; (3) territorial–urban contexts; and (4) psychosocial functions. The model identifies five features: centrality of aesthetic experience, active participation, artist–audience interaction, embeddedness in the creative economy, and convergence of socio-cultural, economic, and aesthetic value. Uzbek cases (Savitsky Museum, Human House, Art Station, biennials) show institutionalization. Recognizing art tourism as a distinct segment provides a basis for service quality assessment enriched with experiential and affective indicators.
| Mualliflar | Isakdjanova, Munojat, Исакджанова, Муножат, Isakdjanova, Munojat |
|---|---|
| Jurnal | Илғор иқтисодиёт ва педагогик технологиялар |
| Nashr sanasi | 2025-10-10 |
| Jild | 2 |
| Son | 5 |
| Betlar | 404-415 |
| Til | O‘zbek |
| DOI | 10.60078/3060-4842-2025-vol2-iss5-pp404-415 |
DOI: 10.60078/3060-4842-2025-vol2-iss5-pp404-415 · Maqolaning asl sahifasi
art tourism, creative economy, cultural tourism, арт-туризм, креативная экономика, культурный туризм, art turizm, kreativ iqtisodiyot, madaniy turizm
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