This article explores the process of developing the artistic image of a musical composition in choral performance and preparing it for stage presentation. The work on a composition involves three main stages: the conductor’s in-depth study, teaching the choir, and public concert performance. Emphasis is placed on analyzing the text, musical structure, vocal-choral characteristics, as well as technical and artistic aspects. The article details methods such as auditory introduction, sectional rehearsal, ensemble development, and expression enhancement. Concert preparation includes coordination between the conductor and singers, program planning, stage discipline, and attention to acoustics. These processes significantly contribute to the quality and expressiveness of the choral performance.
| Mualliflar | Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2025-12-01 |
| Son | 4 |
| Betlar | 27-29 |
| Til | kaa |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/knghwm46 |
| Indeksga qo‘shilgan | 2026-10-09 |
DOI: 10.66900/knghwm46 · Maqolaning asl sahifasi
choral performance, artistic image, musical composition, conducting, concert preparation, vocal analysis, technical exercises, stage culture, ensemble unity, musical expression, xor ijrochiligi, badiiy obraz,, musiqiy asar, dirijyorlik, konsertga tayyorgarlik, vokal tahlil, texnik mashqlar, sahna madaniyati,, ansambl uyg‘unligi, musiqiy ifoda., xоровое исполнительство, художественный образ, музыкальное произведение, дирижёрская работа, подготовка к концерту, вокальный анализ, технические упражнения, сценическая культура, ансамблевое единство, музыкальная выразительность., xor ijrochiligi, badiiy obraz,, musiqiy asar, dirijyorlik, konsertga tayyorgarlik, vokal tahlil, texnik mashqlar, sahna madaniyati,, ansambl uyg‘unligi, musiqiy ifoda.
| APA | Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay, & Bekpolatova, Altinay (2025). SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ. Санъат ва маданият Ахборотномаси, (4), 27-29. https://doi.org/10.66900/knghwm46 |
|---|---|
| GOST (OAK) | Bekpolatova, Altinay va b. SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ // Санъат ва маданият Ахборотномаси. – 2025. – № 4. – B. 27-29. – DOI: 10.66900/knghwm46. |
| MLA | Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay, and Bekpolatova, Altinay. “SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ.” Санъат ва маданият Ахборотномаси, (4), 27-29, 2025. https://doi.org/10.66900/knghwm46 |
| Chicago | Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay, and Bekpolatova, Altinay. “SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ.” Санъат ва маданият Ахборотномаси, (4), 27-29 (2025). https://doi.org/10.66900/knghwm46 |
| Harvard | Bekpolatova, Altinay, Bekpolatova, Altinay, Bekpolatova, Altinay, and Bekpolatova, Altinay (2025) ‘SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ’, Санъат ва маданият Ахборотномаси, (4), 27-29. https://doi.org/10.66900/knghwm46 |
| BibTeX | @article{bekpolatovaaltinay2025,
title = {SHÍǴARMALARDÍŃ KÓRKEM-MUZÍKALÍQ OBRAZLARÍ ÚSTINDE ISLEW HÁM KONCERTKE SHÍǴÍW USHÍN TAYARLÍQ},
author = {Bekpolatova, Altinay and Bekpolatova, Altinay and Bekpolatova, Altinay and Bekpolatova, Altinay},
journal = {Санъат ва маданият Ахборотномаси},
year = {2025},
number = {4},
pages = {27-29},
doi = {10.66900/knghwm46},
url = {https://doi.org/10.66900/knghwm46}
} |
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