ON THE CLASSIFICATION OF UZBEK SHAMANIC INVOCATIONS ACCORDING TO THEIR PERFORMANCE STYLE

Aralov , O‘tkir, Аралов , Уткир, Aralov , O‘tkir

Тамаддун нури · 2026-yil

Annotatsiya

This article discusses the classification of Uzbek shamanic invocations based on their performance style, ritual context, and the communicative actions of the performer. It argues that a shamanic invocation should be understood not merely as a verbal text but as a syncretic folkloric phenomenon that is fully realized in the course of its performance. The study also examines the performance of shamanic invocations both with and without musical accompaniment and analyzes their functional and genre-specific characteristics.

Maqola ma’lumotlari
MualliflarAralov , O‘tkir, Аралов , Уткир, Aralov , O‘tkir
JurnalТамаддун нури
Nashr sanasi2026-07-30
Jild7
Son82
Betlar62-64
TilO‘zbek
DOI10.69691/4tt2j170

Kalit so‘zlar

shaman, invocation, performance, doira (frame drum), baxshi, kushnoch, шаман, призыв, исполнение, дойра, бахши, кушноч., shomon, chorlov, ijro, doira, baxshi, kushnoch.

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