This article explores the artistic and psychological techniques of direct and indirect depiction used by Edgar Allan Poe and Nazar Eshonkul. Although separated by time and culture, both writers delve deeply into the portrayal of the human psyche. The analysis is supported by textual examples and comparative tables that highlight the similarities and differences in their narrative methods, emotional tones, and symbolic strategies.
| Mualliflar | Toshmamatova, Sitora, Тошмаматова, Ситора, Toshmamatova, Sitora |
|---|---|
| Jurnal | Хорижий лингвистика ва лингводидактика |
| Nashr sanasi | 2025-05-25 |
| Jild | 3 |
| Son | 5/S |
| Betlar | 405-411 |
| Til | Ingliz |
| DOI | 10.47689/2181-3701-vol3-iss5/s-pp405-411 |
DOI: 10.47689/2181-3701-vol3-iss5/s-pp405-411 · Maqolaning asl sahifasi
Edgar Allan Poe, Nazar Eshonkul, direct depiction, indirect depiction, psychological narrative, symbolism, literary style, Gothic literature, Uzbek fiction, psychoanalysis., Эдгар Аллан По, Назар Эшонкул, прямое изображение, косвенное изображение, психологическое повествование, символизм, литературный стиль, готическая литература, узбекская проза, психоанализ, Edgar Allan Po, Nazar Eshonqul, bevosita tasvir, bilvosita tasvir, psixologik tasvir, ramziy ifoda, badiiy uslub, gotika adabiyoti, o‘zbek adabiyoti, psixoanaliz
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