This article provides a comprehensive analysis of Daniel Dennett's theory of consciousness, emphasizing its core concepts, implications, and critical reception. Dennett, a prominent philosopher and cognitive scientist, challenges traditional views of consciousness through his multiple drafts model and heterophenomenology. The multiple drafts model rejects the notion of a central Cartesian Theatre, proposing instead that consciousness arises from a multitude of parallel processes within the brain. Heterophenomenology, Dennett's methodological approach, combines third-person scientific observations with first-person subjective reports to study conscious experiences. This article examines the strengths and criticisms of Dennett's theory, its philosophical and scientific impacts, and future research directions inspired by his work. By exploring Dennett’s contributions, this article aims to shed light on the complexities of consciousness and its study within the contemporary landscape of cognitive science and philosophy.
| Mualliflar | Kodirov Javlonbek Abdusattor ugli |
|---|---|
| Jurnal | Falsafa va hayot – Философия и жизнь – Philosophy and Life (электрон журнал) |
| Nashr sanasi | 2024-07-10 |
| Son | 1 |
| Til | Ingliz |
Дэниел Деннетт, Теория сознания, Модель множественных проектов, Гетерофеноменология, Интенциональная позиция, Картезианский театр, Когнитивная наука, Философия разума, Сознательный опыт, Субъективные и объективные методологии, Daniel Dennett, Theory of consciousness, Multiple drafts model, Heterophenomenology, Intentional stance, Cartesian Theatre, Cognitive science, Philosophy of mind, Conscious experience, Subjective and objective methodologies, Daniel Dennett, ong nazariyasi, ko‘plab andozalar modeli, geterofenomenologiya, intensional holat, kartezian teatri, kognitiv fan, ong falsafasi, ongli kechinma, subyektiv va obyektiv metodologiyalar
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