The theme of Iskandar appeared in the history of world and literature in connection with the phenomenon of Alexander the Great and spread throughout the centuries. This topic had almost a history of twenty centuries long until the time of Alisher Navoi. It is noteworthy that Nizami Ganjavi first brought this topic into the tradition of writing khamsa, and the main attention was paid to the nature of story of the battles. Iskander’s theme has been able to preserve its original features despite the passing of many centuries, surrounded by cultures and beliefs. One of the important indicators pointing to the authenticity of this topic is the images of Greek sages, which are an important component of Iskandarnames in the East. Although these images were influenced by the Eastern worldview and Islamic ideology, they did not completely lose their “identity”. Researching the genesis and gradual development of these images, studying their artistic descriptions help to imagine the creative individuality, outlook and skills of certain creative personalities. Therefore, in this article, the images of Greek sages are analyzed on the example of “Saddi Iskandari” by Alisher Navoi and “Iskandarnama” by Nizami Ganjavi. The historical development of the issue, its scale and the process of reworking in the work of Navoi are revealed.
| Mualliflar | Ilyos Ismoilov |
|---|---|
| Jurnal | Ўзбекистон: тил ва маданият |
| Nashr sanasi | 2023-09-10 |
| Jild | 3 |
| Betlar | 58-110 |
| Til | en |
| DOI | 10.52773/tsuull.uzlc.2023.3/gsbz8292 |
DOI: 10.52773/tsuull.uzlc.2023.3/gsbz8292 · Maqolaning asl sahifasi
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