The article is devoted to identifying the features and functions of the narrative in the intellectual detective story “Angels and Demons”. It is noted that the montage composition of the chapters creates tension in the narrative, contributes to the subordination of the investigation to a certain time, and enhances the internal focalization of R. Langdon - the intellectual investigator. D. Brown uses the parameters of the crime genre (time and space) for the law of “ambiguity.”
| Mualliflar | Тимур ХАМРАКУЛОВ |
|---|---|
| Jurnal | Ўзбекистон Миллий университети хабарлари |
| Nashr sanasi | 2024-03-12 |
| Jild | 1 |
| Son | 1.3 |
| Betlar | 372-375 |
| Til | Rus |
| DOI | 10.69617/nuuz.v1i1.3.1431 |
DOI: 10.69617/nuuz.v1i1.3.1431 · Maqolaning asl sahifasi
narrative, explicit author, montage composition, intellectual detective, time and space, effect of ambiguity., нарратив, эксплицитный автор, монтажная композиция, интеллектуальный детектив, время и пространство, эффект многозначности., hikoya, aniq muallif, montaj kompozitsiyasi, intellektual detektiv, vaqt va makon, noaniqlik effekti.
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