The article describes the formal and semantic chanGES in the Uzbek poetry of the twentieth century, the scientific basis of the problem of subjects. The similarities and differences between performance lyrics and character lyrics are revealed. An analysis of lyrical subjects in the works of Uzbek artists of the twentieth century.
| Mualliflar | Choriyeva, Dilfuza, Чориева, Дилфуза, Choriyeva, Dilfuza |
|---|---|
| Jurnal | Жамият ва инновациялар / Общество и инновации / Society and innovations |
| Nashr sanasi | 2022-05-15 |
| Jild | 3 |
| Son | 4/S |
| Betlar | 361-368 |
| Til | O‘zbek |
| DOI | 10.47689/2181-1415-vol3-iss4/s-pp361-368 |
DOI: 10.47689/2181-1415-vol3-iss4/s-pp361-368 · Maqolaning asl sahifasi
лирика, ролли шеърлар, лирик субъект, лирик “мен”, ўзга шахс, характер, шоир,ижровий лирика, персонажли лирика, эмоционал оҳанг, lyrics, role poems, lyrical subject, lyric “I”, other person, character, poet, performance lyrics, character lyrics, emotional tone, лирика, ролевые стихотворения, лирический субъект, лирическое «я», другой человек, персонаж, поэт, исполнительская лирика, характерная лирика, эмоциональный тон
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Жамият ва инновациялар / Общество и инновации / Society and innovations — barcha maqolalar