The article is dedicated to analyzing the concept of the detective genre in literary criticism and its characteristics. Using the work “The Godfather” as an example, it explores how the image of the murderer serves as one of the key elements of the genre. The article provides an in-depth analysis of the psychological and social portrait of the murderer in detective works, their motivations, and the reasons for committing a crime. It also showcases the author’s stylistic approach and use of artistic tools in creating the image of the murderer. The analysis of the work discusses the artistic possibilities of the detective genre and its impact on readers.
| Mualliflar | Латипова Соня Шокировна |
|---|---|
| Jurnal | Таълим ва инновацион тадқиқотлар |
| Nashr sanasi | 2024-12-11 |
| Son | 5 |
| Betlar | 91-96 |
| Til | O‘zbek |
детективный жанр, образы убийц, художественная литературоведение, мотивация преступления, психологический портрет, социальный контекст, стилистические подходы., detektiv janri, qotil obrazlari, badiiy adabiyotshunoslik, jinoyat motivatsiyasi, psixologik portret, ijtimoiy kontekst, uslubiy yondashuvlar., detective genre, images of murderers, literary criticism, crime motivation, psychological portrait, social context, stylistic approaches.
The article presents the linguistic features of symbolic names in the tragedy «Mirzo Ulugbek» by Maqsud Sheikhzadeh, as well as the linguopoetic analysis of the historical color of these names.
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