THE FIRST RESEARCH OF THE ART OF CINEMATOGRAPHY IN UZBEKISTAN

Икбол Мамасадыкович Меликузиев

Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова · 2023-yil

Annotatsiya

In this article, the operator, creating with the help of a camera and lens, delivers to the viewer the idea of a screenwriter, artist, director and the physiological-mental state of the actor. If in a theatrical performance the live communication of the actors on the stage gives the viewer the effect of participation, then in a feature film this task is assigned to the images of the operator. As the sensitive lens of the kinocamera involuntarily copies the experience of the heroes into the soul of the viewer, a state of joint anguish arises from their grief, rejoicing in their joy. In this way, in contrast to the actors on the theater stage, the idea of the early research of the cinematographic art of the appearance of the participation effect by connecting the characters to their experiences as their own gaze is reflected in the feature film.

Maqola ma’lumotlari
MualliflarИкбол Мамасадыкович Меликузиев
JurnalJournal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова
Nashr sanasi2023-12-15
TilO‘zbek

Kalit so‘zlar

оператор, искусство, история, объектив, фотоаппарат, цвет, свет, композиция, симметрия, кино, школа кинооператоров, креатив, искусство, графическое решение., cinematography, art, history, Object, Camera, color, light, composition, SImmetry, cinema, School of cinematography, creativity, art, graphic solution, оператор, санъат,тарих,ўбектив, фотокамера, ранг, ёруғлик, композитсия, симметрия, кино, кинооператорлик мактаби, ижодкор, бадиийлик, тасвирий ечим

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