This article discusses the theoretical foundations of improvisational traditions in Karakalpak literature, the stages of formation, development and research issues in modern Karakalpak literary criticism based on the research of N. Davkaraev, K. Aimbetov, A. Pakhratdinov, K. Allambergenov. And also, it is said about the occurrence of the phenomenon of improvisation, the stages of the formation of the Karakalpak oral folk art, that it originates from the legacy of zhyrau poets of the early period and continues in today's Karakalpak literature, and in modern oral art, including in traditional songs.
| Mualliflar | Матимов, К.Г. |
|---|---|
| Jurnal | Ilim ha’m ja’miyet |
| Nashr sanasi | 2020-02-10 |
| Son | 1-1 |
| Betlar | 88-90 |
| Til | kaa |
импровизация, анъана, халқ оғзаки ижоди, жиров-шайир, импровизация, традиция, народного творчества, жиров-шаир, improvisation, tradition, folk art, jirоv-shаir
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