The article, based on historical sources and historical sources, analyzes the Mamun Academy, which operated during the first Renaissance, the contribution of the scientists who worked there to world science, the place of Khorezm in the history of intellectual heritage. The positive attitude of the Mamunids to the art of music and the activities of scientists at the Mamun Academy in the development of musical science and theory are also analyzed.
| Mualliflar | Давлатова Саодат Тиловбердиевна, Маткаримова Назокат Максудовна |
|---|---|
| Jurnal | Ma’mun Science |
| Nashr sanasi | 2024-06-28 |
| Jild | 2 |
| Son | 2 |
| Til | O‘zbek |
Dynasty of Khorezmshahs, Anushtegini, title of Khorezmshah, era of Mamun, Mamun Academy, Renaissance, Gurganj, scientists of the Academy, Khorezm makomi, music science, music theory, melody, musician, musical instrument, notes, Династия хорезмшахов, Ануштегини, титул хорезмшаха, эпоха Мамуна, Академия Ма’муна, Возрождение, Гургандж, канцелярия, ученые Академии, Хорезмские макоми, музыкальная наука, теория музыки, мелодия, музыкант, музыкальный инструмент, ноты, Xorazmshohlar sulolasi, Anushteginiy, Xorazmshoh unvoni, Ma’mun davri, Ma’mun akademiyasi, Renessans, Gurganj, devonxona, Академия олимлари, Хоразм мақомлари, мусиқа илми, мусиқа назарияси, куй, созанда, мусиқа асбоби, нота чизиғи
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