The conclusion of the Artistic-aesthetic and ideological principles of the epic work of Nizami Ganjavi and Alisher Navai contributed to the resumption of centuries-old traditions of Eastern poetry. In their fives, two brilliant thinkers used fragments from the sources of oral folk art and folklore of the two peoples in a kind of creative style. Nizami Ganjavi as the first master of epic style in his literary environment, Alisher Nawai as a prominent creative and statesman of the Timurid Renaissance in his creations turned to wise folk thinking, undying traditions of folklore. Sheikh Nizami in each of his poems addressed directly to folklore or the creation of oral folk art to express his socially useful thoughts. He often expressed his ideological idea not with instructions, but with live episodes and images from folk art. Nizami's poems are clearly different from the chivalrous novels of the European Renaissance, where images of angels, demons, fairies and scenes of miracles are buried. In the poems of the great master, the words of ancient legends and myths are used with realistic pathos, in a humane spirit. A distinctive feature of Nizami's epic style is that it uses oral folk art, combined with images of a diverse, wide-ranging storyline. In "Hamsa" Alisher Navai also occupy an important place episodes of oral folk art and parables, excerpts with images of animals, elements from flora and fauna. The great thinker in the first poem of his five and in the spiritual-enlightenment poem "Lison ut-tyre" ("The Language of Birds") most figuratively expresses high moral ideas through artistic episodes from folklore and fragments of folk tales. On this basis it should be concluded that folk wisdom from the treasury of oral folk art and folklore was a living, unsessekable source, nourishing the multifaceted creativity of two geniuses of human history.
| Mualliflar | Дилором САЛАХИЙ |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2024-06-19 |
| Jild | 4 |
| Son | 1 |
| Til | O‘zbek |
эпическая поэзия, стиль, романтизм, реальность, народность, Ростравшан, собака, волк, лев, дерево, epic poetry, style, romanticism, reality, people, Rostravshan, dog, wolf, lion, tree, epik poeziya, uslub, romantizm, hayotiylik, xalqchillik, Rostravshan, it, bo‘ri, sher, daraxt
The article examines the great poet Alisher Navoi’s intense work to raise the honor of the Turkish nation and ensure the high prestige of the Turkish language as a literary language. His poetic letter written in 1465 to…
The works of Alisher Navoi are kept as rare specimens in the world's collections. Today in the world of science it is known that authentic copies of Navoi’s works are stored in the most prestigious libraries and various…
This scientific article examines the influence of Alisher Navoi’s creativity on modern society and the practical application of his ideas and values. The role of national culture and art in the development of the…
The great poet and thinker Alisher Navoi has been famous since his youth in the land of Khurasan, where he was born and raised. From ordinary people to Timurid rulers, they read his poems with love. One of such lovers…
The article is about the epic of Alisher Navoi “Hayrat ul-Abror”, a unique manuscript of the epic with an artistic ornament created for Prince Badutzaman, the art of miniature and its function, the reflection of the…
Ali Şir Nevâyî, Çağatay Türkçesinin en büyük temsilcisidir. Değişik alanlarda yazılmış otuza yakın eseri bulunmaktadır. Türkçenin söz ve mânâ zenginliğini ortaya koymaya çalıştığı eserlerinden biri olan Fevâyidü’l Kiber…
Alisher Navoi’s work, “Hamsa” is studied by major literary critics on the basis of various literary-historical, scientific-theoretical problems. Among these literary critics, there is a worthy place of Batirkhan…
This article is devoted to the analysis of the spiritual heritage of Alisher Navoi from the standpoint of aesthetics. The skillful use of philosophical categories of aesthetics in the work of the thinker is shown, their…
In this article it has been decided to discuss about the pamphlet named “Khoji Ahror Vali” (Zarafshan publication, Samarkand 1993 year) by academic Botirkhan Valikhojayev that draws a clear picture of Ubaydullokh…