This article illustrates the influence of Alisher Navoi's ghazals on Sabir Abdulla’s ghazal, one of the representatives of Uzbek poetry in twentieth century. This effect is illustrated by the art of “talmeh” which a literary type of poet. The art of “talmeh” used in the poems of Alisher Navoi and Sabir Abdulla is compared and the aspects of tradition and originality are identified. Talmeh which was used in Sabir Abdulla’s works is divided into groups according to the theme. At the same time, the art of “talmeh” in Uzbek literature and the phenomena of allusion, which are widely studied by world researchers, are compared and similarities and differences are identified. In the process, Sabir Abdulla's ability to use “talmeh” was also assessed. The influence of Navoi's ghazals on the poet's work is considered, and the reasons for deviating from the norms of tradition are explained in detail.
| Mualliflar | Ҳайдарова Гулҳаё Аҳмадалиевна |
|---|---|
| Jurnal | Алишер Навоий |
| Nashr sanasi | 2021-06-30 |
| Jild | 1 |
| Son | 2 |
| Til | O‘zbek |
талме, аллюзии, поэтические идеи, имена исторических личностей, газалия Сабира Абдуллы, аспекты традиции и самобытности, искусство ийхам, виды талме, специальный словарь, талме с ограниченным употреблением, talmeh, allusions, poetic ideas, names of historical figures, Sabir Abdulla's ghazaliyya, aspects of tradition and originality, art of iyham, types of talmeh, special dictionary, talmehs with limited use, талмеҳ, аллузия, шеър ғояси, тарихий шахслар номлари, Собир Абдулла ғазалиёти, анъанавийлик ва ўзига хослик қирралари, ийҳом санъати, талмеҳ турлари, махсус луғат, қўлланилиши чекланган талмеҳлар
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