This article comparatively examines the artistic and philosophical representation of saints (awliya) and Sufis in Amir Khusrau Dehlavi’s “Matla’ ul-Anwar” and Alisher Navoi’s “Hayrat ul-Abror”. Particular attention is paid to the images of Nizamuddin Awliya, Bahauddin Naqshband and Abdurahman Jami, as well as to the contrast between the genuine Sufi and the hypocritical shaykh. The analysis demonstrates that Nizamuddin Awliya is presented by Khusrau as a living spiritual master, guide and model of perfection, whereas Navoi constructs the images of Bahauddin Naqshband and Jami as embodiments of purity, humility, spiritual maturity and divine love. Both poets reject the reduction of Sufism to external appearance and associate true spirituality with moral purification and overcoming the lower self. Khusrau gives greater emphasis to Sufi ethics, asceticism and renunciation of worldly attachment, while Navoi develops a sharper satirical representation of hypocritical shaykhs. The study concludes that the ideal of the perfect human being develops consistently within the Khamsa tradition and that the Sufi image performs an important ethical, philosophical and aesthetic function.
| Mualliflar | Муслихиддин МУХИДДИНОВ |
|---|---|
| Jurnal | Алишер Навоий |
| Nashriyot | Самарқанд давлат университети |
| ISSN | 2017-2021 |
| Nashr sanasi | 2026-10-17 |
| Til | Ingliz |
| Ilmiy soha | Filologiya |
| Indeksga qo‘shilgan | 2026-10-20 |
Амир Хусрав Дехлеви, Алишер Навои, «Матлаъ ул-анвор», «Хайрат ул-аброр», суфизм, суфий, вали, Низамиддин Авлия, Бахауддин Накшбанд, Абдурахман Джами, совершенный человек, лицемерный шейх, «Хамса», Amir Khusrau Dehlavi, Alisher Navoi, “Matla’ ul-Anwar”, “Hayrat ul-Abror”, Sufism, Sufi, saint, Nizamuddin Awliya, Bahauddin Naqshband, Abdurahman Jami, perfect human, hypocritical shaykh, Khamsa, Amir Xusrav Dehlaviy, Alisher Navoiy, “Matla’ ul-anvor”, “Hayrat ul-abror”, tasavvuf, so‘fiy, valiy, Nizomiddin Avliyo, Bahouddin Naqshband, Abdurahmon Jomiy, komil inson, riyokor shayx, “Xamsa”.
| APA | Муслихиддин МУХИДДИНОВ (2026). A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS. Алишер Навоий. https://www.tadqiqot.uz/index.php/navoi/article/view/15134 |
|---|---|
| GOST (OAK) | Муслихиддин МУХИДДИНОВ A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS // Алишер Навоий. – 2026. |
| MLA | Муслихиддин МУХИДДИНОВ. “A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS.” Алишер Навоий, 2026. https://www.tadqiqot.uz/index.php/navoi/article/view/15134 |
| Chicago | Муслихиддин МУХИДДИНОВ. “A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS.” Алишер Навоий (2026). https://www.tadqiqot.uz/index.php/navoi/article/view/15134 |
| Harvard | Муслихиддин МУХИДДИНОВ (2026) ‘A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS’, Алишер Навоий. https://www.tadqiqot.uz/index.php/navoi/article/view/15134 |
| BibTeX | @article{article2026,
title = {A COMPARATIVE INTERPRETATION OF THE MORAL PORTRAIT OF SUFIS IN THE FIRST EPICS OF AMIR KHUSRAU DEHLAVI AND ALISHER NAVOI’S KHAMSAS},
author = {Муслихиддин МУХИДДИНОВ},
journal = {Алишер Навоий},
year = {2026},
url = {https://www.tadqiqot.uz/index.php/navoi/article/view/15134}
} |
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