This article provides a comprehensive and large-scale analysis of the theoretical andpractical foundations of sound integration in modern cinematography. Sound is viewed not merely as anaccompaniment to the visual image or an element supplementing the cinematographic text, but as anemotional, dramaturgical, and structural pillar of a film. From a profound scientific and technicalperspective, the paper highlights global sound engineering practices, the art of Foley (sound effects creation),acoustic design principles, tools of psychological manipulation, and the impact of modern object-orientedtechnologies such as Dolby Atmos and VR Audio on cinematic language. Furthermore, based on frequencyspectrum analysis, the historical evolution of audio technologies from 1927 to the present day, and specificcase studies, the study reveals the profound impact of the cinematic acoustic environment on thepsychophysics of the audience.
| Mualliflar | Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2026-09-06 |
| Son | 2026 |
| Betlar | 91-96 |
| Til | O‘zbek |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/9rh8xk90 |
| Indeksga qo‘shilgan | 2026-09-24 |
DOI: 10.66900/9rh8xk90 · Maqolaning asl sahifasi
Sound integration, Diegetic and non-diegetic sound, Foley art, Dolby Atmos, Acoustic manipulation, Proximity effect, Digital Audio Workstation (DAW), Spectral balance., dawıs integraciyası, Diegetik hám nodiegetik dawıs, Foley kórkem óneri, Dolby Atmos, Akustikalıq manipulyaciya, Proksimikalıq effekt, Sanlı ses stanciyası (DAW), Spektrallıq balans., Интеграция звука, Диегетический и недиегетический звук, Искусство Фоли (шумовое оформление), Dolby Atmos, Акустическая манипуляция, Эффект близости (проксимитиэффект), Цифровая звуковая рабочая станция (DAW), Спектральный баланс., ovoz integratsiyasi, Diegetik va nodiegetik ovoz, Foley san’ati, Dolby Atmos, Akustik manipulyatsiya, Proksimik effekt, Raqamli ovoz stansiyasi (DAW), Spektral balans.
| APA | Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, & Manas, Abdreymov (2026). KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI. Санъат ва маданият Ахборотномаси, (2026), 91-96. https://doi.org/10.66900/9rh8xk90 |
|---|---|
| GOST (OAK) | Manas, Abdreymov va b. KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI // Санъат ва маданият Ахборотномаси. – 2026. – № 2026. – B. 91-96. – DOI: 10.66900/9rh8xk90. |
| MLA | Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, and Manas, Abdreymov. “KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI.” Санъат ва маданият Ахборотномаси, (2026), 91-96, 2026. https://doi.org/10.66900/9rh8xk90 |
| Chicago | Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, and Manas, Abdreymov. “KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI.” Санъат ва маданият Ахборотномаси, (2026), 91-96 (2026). https://doi.org/10.66900/9rh8xk90 |
| Harvard | Manas, Abdreymov, Manas, Abdreymov, Manas, Abdreymov, and Manas, Abdreymov (2026) ‘KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI’, Санъат ва маданият Ахборотномаси, (2026), 91-96. https://doi.org/10.66900/9rh8xk90 |
| BibTeX | @article{manasabdreymov2026,
title = {KO‘RINMAS QAHRAMON: KINODA OVOZ INTEGRATSIYASINING AHAMIYATI VA TEXNOLOGIYALARI},
author = {Manas, Abdreymov and Manas, Abdreymov and Manas, Abdreymov and Manas, Abdreymov},
journal = {Санъат ва маданият Ахборотномаси},
year = {2026},
number = {2026},
pages = {91-96},
doi = {10.66900/9rh8xk90},
url = {https://doi.org/10.66900/9rh8xk90}
} |
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