This article analyzes the process of a conductor working with student performers onmusical pauses and their impact on stage performance. It highlights the dramatic and psychologicalsignificance of musical pauses, their role in expressing a character’s inner emotions, and the pedagogicalapproach of the conductor. The importance of correct interpretation of pauses is demonstrated through theexample of Nurxon.
| Mualliflar | Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2026-09-06 |
| Son | 2026 |
| Betlar | 44-47 |
| Til | O‘zbek |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/ctypjz11 |
| Indeksga qo‘shilgan | 2026-09-23 |
DOI: 10.66900/ctypjz11 · Maqolaning asl sahifasi
conducting, musical pause, musical dramaturgy, stage performance, vocal performance, inner experience, psychological expression, stage image, stage culture, rhythm and tempo, performance mastery, theatre pedagogy, musical thinking., dirijyorlıq, muzıkalıq pauza, muzıkalıq dramaturgiya, saxna atqarıwı, vokal atqarıwshılıq, ishki keshirme, psixologiyalıq kórsetiw, obraz talqılaw, saxna mádeniyatı, ritm hám temp, atqarıw sheberligi, teatr pedagogikası, muzıkalıq pikirlew., дирижирование, музыкальная пауза, музыкальная драматургия, сценическое исполнение, вокальное исполнительство, внутреннее переживание, психологическая выразительность, сценический образ, сценическая культура, ритм и темп, исполнительское мастерство, театральная педагогика, музыкальное мышление., dirijyorlik, musiqiy pauza, musiqiy dramaturgiya, sahna ijrosi, vokal ijrochilik, ichki kechinma, psixologik ifoda, obraz talqini, sahna madaniyati, ritm va temp, ijro mahorati, teatr pedagogikasi, musiqiy tafakkur.
| APA | Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov, & Orifjon, Qudratov (2026). DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI. Санъат ва маданият Ахборотномаси, (2026), 44-47. https://doi.org/10.66900/ctypjz11 |
|---|---|
| GOST (OAK) | Orifjon, Qudratov va b. DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI // Санъат ва маданият Ахборотномаси. – 2026. – № 2026. – B. 44-47. – DOI: 10.66900/ctypjz11. |
| MLA | Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov, and Orifjon, Qudratov. “DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI.” Санъат ва маданият Ахборотномаси, (2026), 44-47, 2026. https://doi.org/10.66900/ctypjz11 |
| Chicago | Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov, and Orifjon, Qudratov. “DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI.” Санъат ва маданият Ахборотномаси, (2026), 44-47 (2026). https://doi.org/10.66900/ctypjz11 |
| Harvard | Orifjon, Qudratov, Orifjon, Qudratov, Orifjon, Qudratov, and Orifjon, Qudratov (2026) ‘DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI’, Санъат ва маданият Ахборотномаси, (2026), 44-47. https://doi.org/10.66900/ctypjz11 |
| BibTeX | @article{orifjonqudratov2026,
title = {DIRIJYORNING TALABALAR BILAN MUSIQIY PAUZALAR USTIDA ISHLASHI},
author = {Orifjon, Qudratov and Orifjon, Qudratov and Orifjon, Qudratov and Orifjon, Qudratov},
journal = {Санъат ва маданият Ахборотномаси},
year = {2026},
number = {2026},
pages = {44-47},
doi = {10.66900/ctypjz11},
url = {https://doi.org/10.66900/ctypjz11}
} |
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