In this article, the author describes the process of emergence and development of the tazkira genre in Eastern classical literature-criticism; about tazkirs of Arab, Persian-Tajik and Uzbek writers, their influence on each other and differences; classification of tazkirs according to their characteristics; about Alisher Navoi’s tazkira “Majolis un-nafois”, which gave rise to a new tradition in tazki writing; about tazkiras created on the basis of A. Navoi’s tazkiras, about their authors; About Hassan Khoja Nisari, Maleho Samarkandi, Mutrib; especially about tazkirs and the scientific and literary environment of Bukhara at the end of the 19th - early 20th centuries, characteristics of their tazkirs and works; The tazki writing and critical activities of Nematullah Mukhtaram, Sadr Ziyo and Sadriddin Aini are discussed.
| Mualliflar | Амонов Улугмурод |
|---|---|
| Jurnal | Таълим ва инновацион тадқиқотлар |
| Nashr sanasi | 2024-06-21 |
| Son | 12 |
| Betlar | 79-85 |
| Til | O‘zbek |
тазкира, тазкираписание, история литературы, литературная критика, джадидская литература, текстоведение, источни-коведение., tazkira, tazkirachilik, adabiyot tarixi, adabiy tanqidchilik, jadid adabiyoti, matnshunoslik, manbashunoslik., tazkira, tazkira writing, literary history, literary criticism, jadid literature, textual criticism, source studies.
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