This article analyzes the development of modern Uzbek documentary cinema, which, with its artistic and educational quality, has become more in demand lately. The topic is studied on the example of some documentaries created. As a result of the study, some little studied aspects of this type of cinema become clear. The paper considers film-portraits dedicated to historical heroes and modern topics. The tendencies of mastery of the national school and the new generation are being studied. As a result of the collected materials, production, creative and spectator problems are revealed, as well as their causes are clarified, questions are raised, conclusions are drawn.
| Mualliflar | Kamoliddin ISMAILOV, Sayyora ISMAILOVA |
|---|---|
| Jurnal | Камолиддин Беҳзод номидаги МРДИ Ахборотномаси |
| Nashr sanasi | 2023-02-25 |
| Jild | 3 |
| Son | 01 |
| Betlar | 19-22 |
| Til | Ingliz |
| DOI | 10.37547/ssa-v3-i1-7 |
DOI: 10.37547/ssa-v3-i1-7 · Maqolaning asl sahifasi
Documentary film, genre, frame
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