The usage of the symbolic images gained the great emphasis in Chinese literature, especially, in poetry. The simple objects could rise up to the level of the symbol and this, in turn, depends on a number of factors, because of the fact that the word covers a variety of meanings so is used to a large extent in poetry. The article studies the origin of such symbolic images, the formation of their meaning, the study of the historical and spiritual roots and discusses their differences from the traditional stylistic means that occupy an important place in Chinese literature. The author also considers the use of the "symbol" and traditional "bixing" in various scientific schools and through literary works of some Chinese scholars and writers. He offers his own conclusions on the subject matter.
| Mualliflar | Очилов Озоджон Мардиевич |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2022-02-16 |
| Jild | 4 |
| Son | 3 |
| Til | O‘zbek |
символ, метафора, бисинг, образ, тотем, symbol, metaphors, bixing, image, totem, рамз, метафора, бисинг, образ, тотем
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