This article is devoted to the coverage of mystical views and their expression in artistic symbols in the works of MirhasanSadoi and Muhammad Ghazi, mature representatives of the Kokand literary environment. In the work of the poet, the views of the orphan and the scope of his subject are covered on the basis of the analysis of a number of poems. Also, the artistic interpretation of the problem of the perfect man is explored. In his poems on the mystical theme of the poet's collection of poems, the artistic perfection of the traditions of the salaf is analyzed from the ideological and artistic point of view.
| Mualliflar | Мухитдинова Назмия Муслихиддиновна |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2022-02-11 |
| Jild | 4 |
| Son | 3 |
| Til | O‘zbek |
литературная среда, мистические воззрения, идеология, художественный образ, совершенный человек, традиция и самобытность, Literary Environment, Mystical Views, Ideology, Artistic Image, Perfect Man, Tradition and Originality, ижодкорлик, адабий муҳит, адабий анъаналар, мавзу, ғоя, шеърий услуб, бадиий маҳорат, тимсол
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