The article analyzes the origins, historical roots, and core traditions of the Karakalpak bakhshi and jiraw art. It examines the musical and poetic nature of the performance, as well as the functional and instrumental differences (kobyz and dutar) between jiraws and bakhshis. Special attention is paid to analyzing the works of prominent folklorist scholars who have studied this unique phenomenon, and the socio-cultural significance of preserving the "ustaz-shakird" (master-apprentice) traditions in the modern world is substantiated
| Mualliflar | Lola Gulayi, Maxammatdinova O'teshova, Lola Gulayi, Maxammatdinova O'teshova, Lola Gulayi, Maxammatdinova O'teshova, Lola Gulayi, Maxammatdinova O'teshova |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-06-06 |
| Son | 2026 |
| Betlar | 207-209 |
| Til | Ingliz |
| DOI | 10.66900/y5x9r223 |
DOI: 10.66900/y5x9r223 · Maqolaning asl sahifasi
karakalpak folklore, bakhshi art, jiraw, epic poem, epic tradition, kobyz, dutar, masterapprentice, musical heritage, performance style, qaraqalpaq folklorı, baqsıshılıq, jıraw, dástan, epikalıq dástúr, qobız, duwtar, ustaz shákirt, muzıkalıq miyras, atqarıw usılı., каракалпакский фольклор, искусство бахши, жырау, дастан, эпическая традиция, кобыз, дутар, наставник-ученик, музыкальное наследие, стиль исполнения., qoraqalpoq folklori, baxshichilik, jirov, doston, epik an’ana, qobiz, dutar, ustozshogird, musiqiy meros, ijro uslubi.
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