The article examines the significance of iconographic sources, thanks to which we havean idea of the dance art in Central Asia before the beginning of the XX century. The works of archaeologistsand art historians in the study and fixation of choreographic art are also noted. An important stage is thework of masters of modernity - filmmakers and photographers who have captured the elusive art of dance intheir work. Topical issues of preservation and digitization of historical documents, display of art at thepresent stage in digital format should be raised at international scientific and practical conferences andforums.
| Mualliflar | Елена Анатольевна , Кари-Якубова, Елена Анатольевна , Кари-Якубова, Елена Анатольевна , Кари-Якубова, Елена Анатольевна , Кари-Якубова |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2025-06-02 |
| Son | 2025 |
| Betlar | 27-30 |
| Til | Rus |
| DOI | 10.66900/hhmxec37 |
DOI: 10.66900/hhmxec37 · Maqolaning asl sahifasi
heritage, fixation, specifics of dance art, popularization., miyras, hújjetlestiriw, ayaq oyın kórkem óneriniń ózgeshelikleri, ǵalaba en jaydırıw., наследие, фиксация, специфика танцевального искусства, meros, hujjatlash, raqs san’atining xususiyatlari, ommalashtirish
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