This scientific article is devoted to the study of the technical and artisticcharacteristics of creating radio plays (audio dramas) in the modern media space. The researchanalyzes the transformation of sound design in the digital era, the psychoacoustic impact of studioacoustics, and modern miking techniques. Specifically, it addresses the issues of shaping acousticspace to create a "presence effect" for the listener, the use of microphone polar patterns, and theartistic application of the "proximity effect." The article is intended for sound engineers, mediaprofessionals, and students.
| Mualliflar | Sharafatdin , Bawetdinov, Sharafatdin , Bawetdinov, Sharafatdin , Bawetdinov, Sharafatdin , Bawetdinov |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashr sanasi | 2026-03-02 |
| Son | 2026 |
| Betlar | 90-93 |
| Til | uz_Latn |
| DOI | 10.66900/cypj9336 |
DOI: 10.66900/cypj9336 · Maqolaning asl sahifasi
radio drama, acoustic space, sound design, binaural audio, miking, proximity effect, reverberation, psychoacoustics, radio spektakl, akustikalıq mákan, ses rejissyorı, binauralıq audio, mikrofonlastırıw, jaqınlıq effekti, reverberaciya, psixoakustika, радиоспектакль, акустическое пространство, звукорежиссура, бинауральный звук, микрофонирование, эффект близости, реверберация, психоакустика, radio spektakl, akustik makon, ovoz rejissurasi, binaural audio, mikrofonlash, yaqinlik effekti, reverberatsiya, psixoakustika
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