The symbol “heart” is one of the most widely used words in Persian classical literature and is expressed in a very deep and diverse sense and content in an artistic feature. This article compares the literary-lexical interpretation, etemological meanings, historical formation, semantic and linguistic-poetic interpretation of the symbol of the “heart” of Amir Khusrav Dehlavi and Abdurahman Jami, the great representatives of Persian-Tajik classical literature. The analysis of literary texts highlights the great talent of our great writers in the creation of colorful images based on a single image and the discovery of the semantic field on the basis of bytes. This style of expression is directly related to the worldview, ethical and intellectual perception, logical thinking and exquisite feeling. Therefore, every word or term based on poetry, chosen by the poet, depending on the purpose of the creator, is differen.
| Mualliflar | Мажитова Сабохат Жамиловна, Ярашов Шариф Жумаевич |
|---|---|
| Jurnal | Journal of Word Art – Сўз санъати халқаро журнали – Международный журнал искусства слова |
| Nashr sanasi | 2021-03-15 |
| Jild | 4 |
| Son | 1-1 |
| Til | O‘zbek |
сердце, газель, символ, образ, этимология, поэтическая способность, значение описания, литературное искусство, литературный язык, поэтический образ, heart, gazelle, symbol, an image, ethymology, ability of poetry, meaning of deskription, similarity, literary art, literary language, poetical image, юрак, ғазал, рамз, образ, этимология, қиёсий таҳлил, адабий санъат, адабий тил, шеърий образ
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