This article explores the enduring and archaic motif of the "slandered mother" within theepic traditions of Turkic peoples, with a specific focus on the Karakalpak heroic epic "Sharyar" and itstypological parallels in the "Goroghli" (Koroghlu) cycle. By utilizing the historical-genetic and structuralsemantic methods of folklore studies, the research analyzes the mythological roots, social functions, andgender dynamics underlying this plot template. Particular attention is given to the zoomorphic elements(such as the substitution of human twins with animal offspring) and the profound matriarchal echoespreserved in the Karakalpak tradition, where the female protagonist (Injim) plays an equally heroic role inrestoring cosmic and social justice. The expanded analytical section demonstrates that this motif serves notmerely as a family conflict, but as an apocalyptic test of the royal lineage, ultimately reinforcing the moralimperative of truth and the supreme value of maternal honor over politics.
| Mualliflar | Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova |
|---|---|
| Jurnal | Санъат ва маданият Ахборотномаси |
| Nashriyot | Ўзбекистон давлат санъат ва маданият институти Нукус филиали |
| ISSN | 1880-1940 |
| Nashr sanasi | 2026-09-06 |
| Son | 2026 |
| Betlar | 175-178 |
| Til | Ingliz |
| Ilmiy soha | San’atshunoslik |
| DOI | 10.66900/kfndvd25 |
| Indeksga qo‘shilgan | 2026-09-25 |
DOI: 10.66900/kfndvd25 · Maqolaning asl sahifasi
Karakalpak folklore, ethnomusicology, dutar, playing techniques, biomechanics, righthand articulation, left-hand vibrato (nola), acoustic resonance, intangible cultural heritage., qaraqalpaq folklorı, etnomuzikologiya, duwtar, shertiw texnikası, biomexanika, oń qol artikulyaciyası, shep qol naması (vibrato), akustikalıq rezonans, materiallıq emes mádeniy miyras., каракалпакский фольклор, этномузыкология, дутар, техники игры, биомеханика, артикуляция правой руки, леворучное вибрато (нола), акустический резонанс, нематериальное культурное наследие., qoraqalpoq folklori, etnomuzikologiya, dutor, chalish texnikalari, biomexanika, o‘ng qo‘l artikulyatsiyasi, chap qo‘l nolasi (vibrato), akustik rezonans, nomoddiy madaniy meros.
| APA | Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova, & Baxit, Piyazova (2026). DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS. Санъат ва маданият Ахборотномаси, (2026), 175-178. https://doi.org/10.66900/kfndvd25 |
|---|---|
| GOST (OAK) | Baxit, Piyazova va b. DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS // Санъат ва маданият Ахборотномаси. – 2026. – № 2026. – P. 175-178. – DOI: 10.66900/kfndvd25. |
| MLA | Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova, and Baxit, Piyazova. “DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS.” Санъат ва маданият Ахборотномаси, (2026), 175-178, 2026. https://doi.org/10.66900/kfndvd25 |
| Chicago | Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova, and Baxit, Piyazova. “DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS.” Санъат ва маданият Ахборотномаси, (2026), 175-178 (2026). https://doi.org/10.66900/kfndvd25 |
| Harvard | Baxit, Piyazova, Baxit, Piyazova, Baxit, Piyazova, and Baxit, Piyazova (2026) ‘DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS’, Санъат ва маданият Ахборотномаси, (2026), 175-178. https://doi.org/10.66900/kfndvd25 |
| BibTeX | @article{baxitpiyazova2026,
title = {DUTAR PERFORMANCE IN CENTRAL ASIAN FOLKLORE: BIOMECHANICS, ARTICULATION, AND PSYCHOACOUSTICS},
author = {Baxit, Piyazova and Baxit, Piyazova and Baxit, Piyazova and Baxit, Piyazova},
journal = {Санъат ва маданият Ахборотномаси},
year = {2026},
number = {2026},
pages = {175-178},
doi = {10.66900/kfndvd25},
url = {https://doi.org/10.66900/kfndvd25}
} |
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