Uzbek maqam traditions and their role in modern piano pedagogy and performance practice

Nigina Kakhramonjonovna Rakhimova

Oriental Art and Culture · 2026-yil

Annotatsiya

This paper explores the role of Uzbek maqam traditions-an integral part of the national musical heritage-and their significance in modern piano pedagogy and performance. The study examines the modal structure of maqam, its rhythmic and melodic characteristics, and the challenges associated with interpreting Eastern micro- intonational systems on the equal-tempered piano. Special attention is given to the pedagogical frameworks that enable the stylistic appropriation of maqam through piano techniques such as articulation, legato, pedaling, and ornamentation. Furthermore, the article analyzes the work of contemporary Uzbek composers whose piano compositions incorporate maqam aesthetics, creating new interpretative approaches that unify national and Western musical paradigms. The research argues that the integration of maqam into piano performance and teaching revitalizes national identity, promotes improvisational thinking, and fosters a deeper understanding of cross- cultural musical dialogue.

Maqola ma’lumotlari
MualliflarNigina Kakhramonjonovna Rakhimova
JurnalOriental Art and Culture
NashriyotЎзбекистон ДСМИ Фарғона минтақавий филиали
ISSN2181-063X
Nashr sanasi2026-09-11
Jild6
Son5
Betlar314-318
TilIngliz
Ilmiy sohaSan’atshunoslik
Indeksga qo‘shilgan2026-09-12

Maqolaning asl sahifasi

Kalit so‘zlar

Uzbek maqam, piano performance, pedagogy, Shashmaqam, modal

Ilmiy soha

San’atshunoslik

Iqtibos keltirish

APANigina Kakhramonjonovna Rakhimova (2026). UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE. Oriental Art and Culture, 6(5), 314-318. https://journals-kokandsu.uz/index.php/oriental/article/view/5948
GOST (OAK)Nigina Kakhramonjonovna Rakhimova UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE // Oriental Art and Culture. – 2026. – T. 6, № 5. – P. 314-318.
MLANigina Kakhramonjonovna Rakhimova. “UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE.” Oriental Art and Culture, 6(5), 314-318, 2026. https://journals-kokandsu.uz/index.php/oriental/article/view/5948
ChicagoNigina Kakhramonjonovna Rakhimova. “UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE.” Oriental Art and Culture, 6(5), 314-318 (2026). https://journals-kokandsu.uz/index.php/oriental/article/view/5948
HarvardNigina Kakhramonjonovna Rakhimova (2026) ‘UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE’, Oriental Art and Culture, 6(5), 314-318. https://journals-kokandsu.uz/index.php/oriental/article/view/5948
BibTeX
@article{niginakakhramonjonovnarakhimova2026,
  title = {UZBEK MAQAM TRADITIONS AND THEIR ROLE IN MODERN PIANO PEDAGOGY AND PERFORMANCE PRACTICE},
  author = {Nigina Kakhramonjonovna Rakhimova},
  journal = {Oriental Art and Culture},
  year = {2026},
  volume = {6},
  number = {5},
  pages = {314-318},
  url = {https://journals-kokandsu.uz/index.php/oriental/article/view/5948}
}

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