Felix Markovich Yanov-Yanovsky is one of the most prominent composers of the Republic of Uzbekistan. His creativity has been studied in detail in many musicological works. However, the oeuvre of F. Yanov-Yanovsky also contains pieces unknown to musicology, including the "Romantic Overture" for a symphony orchestra, which became the object of research in this article. The main goal of the study is to replenish the history of the development of the overture genre in Uzbekistan, as well as to supplement the general understanding of the F. Yanov-Yanovsky creativity. The material for the investigation is a previously unstudied manuscript of the overture (which has been kindly given to the author by the composer); also materials from personal conversations between the author and F. Yanov-Yanovsky were used. In the process of researching the "Romantic Overture", the method of comprehensive analysis was used, special attention was paid to intonation, stylistic and semantic types of analysis. On the one hand, the work is researched in the context of the composer's creativity, and, on the other hand, the author shows the place of the "Romantic Overture" and its role in the development of the genre in Uzbekistan. The title and content of the "Romantic Overture" refers the listener to the era of romanticism. Such a programmatic approach is atypical for the Uzbek overture, which emphasizes its originality, and also expands the general imaginative palette of the genre in the work of Uzbek composers. A three-part structure with a short introduction and conclusion becomes the "constructive idea" of the work. It is quite possible to point to the "general intonation" (V. Medushevsky's term) - a third that permeates the entire texture of the work. The main “expressive method” of the work is three foldness, which manifesting itself at all the levels of the musical form and turns into a kind of symbol referring to the romantic era.
| Mualliflar | Rimma Radman |
|---|---|
| Jurnal | Musiqa |
| Nashr sanasi | 2020-01-01 |
| Jild | 2020 |
| Son | 1 |
| Betlar | 60-71 |
| Til | en |
| DOI | 10.52847/eamsj/vol_2020_issue_1/a3 |
DOI: 10.52847/eamsj/vol_2020_issue_1/a3 · Maqolaning asl sahifasi
Modern musical instruments of Karakalpaks are various enough and represented by string, wind and percussion instruments. The kobuz and dutar can be specially stand out as it is their sounding that first of all can be…
Animation is a unique form of cinema, having its own specific means of expression, forms and genres. This art form has an amazing history of development. It is interesting to understand the specifics of multiplication…
Genre-style research of contemporary variety music requires the development of new methodological approaches. The available classifications and methods, unfortunately, do not allow to fully analyze the genre-style…
The article deals with various forms of implementation of dance genres in the works of the outstanding Hungarian composer Zoltan Kodaly. Analyzes the characteristics of dances in various cycles, such as "Dances from…
The article presents analysis of the “a`cappella ‘Rubaiyat of Omar Khayyam’” choir cycle by composer Dilor?m Amanullaeva. The paper is written from the point of view of the conductor-performer in a form of a musical…
Numerous issues related to the study of the phenomenon of the musical dynasty in science are still insufficiently investigated. A comprehensive study of this issue today should attract the attention of not only art…
This article is the result of international scientific collaboration of leading pianists-performers from Uzbekistan and Russia. Turning to the study of piano ensemble music by György Ligeti (1923-2006), the authors…
The article discusses the main stages of development of musicology in Uzbekistan. The introduction provides a brief overview of Uzbek musicology in the 18th and 19th centuries. The tasks and goals of each period are…
The first historical sound recordings of the Turkic-speaking peoples, which are of significant historical, cultural and scientific value, are kept separately in various foreign archives and have not received a complete…
The purpose of the article is to draw attention to one important problem - the need to form historical thinking among art-critics. Outside of this, a complete and real analysis of the artistic phenomenon (which involves…