National music is a powerful emotional and psychological tool, and the importance of socio-psychological factors in shaping adequate images through its perception is highlighted in the works of Central Asian thinkers. National musical imagination is the transformation of a musical work perceived by a listener as a representative of the nation into artistic information directly in the consciousness of a person. This scientific article highlights the widespread use of scientific ideas and considerations of Central Asian thinkers on the possibilities of emotional and psychological effects of music in contemporary music education providing the effectiveness of teaching.
| Mualliflar | Tashkent State Conservatory of Uzbekistan, Ahmad Bahriev |
|---|---|
| Jurnal | Ўзбекистон: тил ва маданият |
| Nashr sanasi | 2019-12-10 |
| Jild | 1 |
| Son | 4 |
| Betlar | 80-100 |
| Til | en |
| DOI | 10.52773/tsuull.uzlc.2019.4/zjwv8200 |
DOI: 10.52773/tsuull.uzlc.2019.4/zjwv8200 · Maqolaning asl sahifasi · PDF
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