This article analyzes the specific methods and directions of wood carving in Tashkent. In addition, the activities of the schools of Tashkent, Ferghana, Bukhara, Samarkand and Khiva were studied in the schools of wood carving and decorative arts of Uzbekistan. These schools share many technical, methodological, and compositional similarities as well as differences. On its basis, the technical, methodological and compositional aspects of the Tashkent school and the activities of representatives of the Ibragimov dynasty were comprehensively studied.
| Mualliflar | Мухайё Гаипова |
|---|---|
| Jurnal | Ўтмишга назар журнали / Журнал взгляд в прошлое /Journal of Look to the Past |
| Nashr sanasi | 2021-10-08 |
| Jild | 4 |
| Son | 10 |
| Til | O‘zbek |
прикладное искусство узбекского народа, резьба по дереву, представители школы, стиль мокрого рисунка, династия, декоративное искусство, резьба, applied art of the Uzbek people, wood carving, school representatives, wet drawing style, dynasty, decorative art, carving, o’zbek xalq amaliy sanʼati, yog’och o’ymakorligi, maktab vakillari, islimiy naqsh uslub, sulola, naqqoshlik sanʼati, o’ymakorlik
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Ўтмишга назар журнали / Журнал взгляд в прошлое /Journal of Look to the Past — barcha maqolalar