SYMBOLISM AND ALLEGORY IN THE POETRY COLLECTION “THE END OF THE NIGHT” BY MAHMOUD DERVISH

ИСМАИЛОВА, Юлдуз

Ислом тафаккури – Исламская мысль – Islamic thought – · 2026-yil

Annotatsiya

This article is devoted to the work of one of the most prominent representatives of the Palestinian literature of the twentieth century, Mahmoud Darvish, whose whole life is a confirmation of serving the ideals of the liberation of the occupied lands of Palestine. The analysis involved a number of poems devoted to this topic, in which the active civil position of the poet, his individuality is clearly traced.

Maqola ma’lumotlari
MualliflarИСМАИЛОВА, Юлдуз
JurnalИслом тафаккури – Исламская мысль – Islamic thought –
Nashr sanasi2026-08-03
Jild6
Son2
Betlar55-58
TilO‘zbek

Kalit so‘zlar

Palestine, Palestinian literature, the 20th century, Mahmoud Dervish, creativity, the homeland, citizenship, visual means, symbolism., Палестина, палестинская литература ХХ века, Махмуд Дервиш, творчество, тема родины, гражданская позиция, изобразительные средства, символика., Фаластин, Фаластин адабиёти, ХХ аср, Mahmud Darvish, ijod, vatan, ramziy ifoda, obrazlar, symbolism, realizm.

Ilmiy soha

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